Sometimes a review is inappropriate. All you can say might ruin the movie. All you can say is but an opinion. Take This Waltz, by Sarah Polley, is such a movie. In it, Margot (Michelle Williams) meets a guy she’s interested in. To complicate stuff, he (Luke Kirby) appears to be her new neighbour and the platonic flirt is even less innocent because she’s married. Furthermore, there seem to be intimacy problems between Margot and her husband (Seth Rogen). For instance, when she’s lovingly fighting with her husband, she doesn’t like it when he kisses her while calling her a little girl. Those issues and the fact that her husband is very pre-occupied with the cookbook he’s writing, draw her to the flirty neighbour and it’s time for an hour of “Will they, won’t they?”. And while that’s going on, you can spend the entire time observing how Margot moves (in a way a key to understanding the film better).
Williams looks like she’s here because she was in Blue Valentine. Rogen and Sarah Silverman appear to be cast because they’re comedians and their roles needed some funny lines, but none of it matters because everything just works. Atom Egoyan is thanked in the credits and Polley seems to have learned from him how subtly added music can highlight a scene (I had to think of Egoyan during the “postcard scene”).
Speaking of music and how subtle the film is, check out this clip from the film. It features another song by Leonard Cohen (and before you ask, yes, the title of the film does appear as a song in the movie):
At which point it might seem odd to talk about Swedish-Danish cop show The Bridge… Not really though, part of what made it so good is that the Swedish cop Saga Noren looked like she had Asperger’s syndrome. However, nowhere in the series were you pointed to that fact. That’s the good thing about this film. So much of the many relationships (Margot and her husband, the neighbour, Margot’s family-in-law) are they for what and how they are. Amateur psychologists might be quick to give their diagnosis, but stay until the end and things might not necessarily be like you’d expected at first. Even the opening scene of the movie doesn’t get clear until later in the film.
Speaking of staying until the end… the movie ends with punches you might not have expected. As the lights went on, three couples hadn’t moved an inch. Had it lasted another minute, I might have left the cinema in tears too. And even though I didn’t, when I left the cinema, the sky was crying instead of me.