Given that it’s been years since we regularly updated the Avenue, even regular visitors may have forgotten that our website (Kurtodrome) was named after a programme on BBC2. It was called Moviedrome and it showed cult movies, on summer nights (mostly Sundays), from 1988 to 1994 (hosted by Alex Cox) and revived from 1997 to 2000 by Mark Cousins. The Cousins era was widely debated and split the fans into either being glad at least there was more Moviedrome or thinking it wasn’t as good as the series with Alex Cox as host. Because after all, Cousins was no Cox. Even though, you could also argue that Cox was no Cousins. And while it’s true that in the Cousins eras there was no month of spaghetti westerns, it was Cousins who included movies like Branded to Kill. And while it’s true that in 2016 it’s been more than fifteen years since the last episode of Moviedrome, you can’t say that the sort of movie to be shown in either form of the BBC2 show is no longer aired on TV. Even though Brits may have to juggle between BBC2, BBC4, ITV4, Film4, Channel4 or even Movies4Men and these cult movies are shown throughout the year on mixed nights rather than a weekly programme… oh, and that there is nobody who introduces them. Yes, it’s 2016 and these days you watch movies on Netflix where you select a movie because of a synopsis of four lines and a still next to it. But don’t we just sometimes long for those programmes where someone warmed you into a movie, telling you bits about the director, the making or even scenes you should pay close attention to?
Alex Cox, the original host of Moviedrome, is a director in case you didn’t know. He shot to fame in 1984 with the instant cult classic Repo Man. He then directed – a.o. – that punk biopic Sid and Nancy and, just prior to hosting the first episode of Moviedrome, a movie called Walker. Made with American money in a country the USA wasn’t particularly fond of, the shooting of Walker was so controversial the movie company sent someone to make sure
Alex Cox didn’t completely destroy the budget. According to folklore, Cox threatened to kill the man if he came too close to him on set and to this date it’s unclear whether he meant it or not. All the doors opened by his previous movies, were closed after Walker and Cox’s filmography post-Walker definitely looks different (which does not equal less interesting).
After completing Searchers 2.0 in the mid-noughties, Cox had learnt how to record a “microfeature”, i.e. a movie made for a ludicrously low budget. This came in handy for his next feature, Repo Chick. A sequel to his breakthrough movie? No, such a thing is impossible: the contract between Cox and the movie company that produced Repo Man made it clear that sequels can’t be made unless both parties agree on this. And had we already told you either party doesn’t really like the other one? Repo Man and Repo Chick are both about repo(ssessing cars), but the stories are different. And whereas both movies share a couple of actors, it’s not as if some of those actors don’t pop up in other Cox movies too. However, the production company was so pissed, it redubbed a movie starring the Avenue’s nemesis J*de L*w (perennially dubbed The Twat over here) as Repo Men in order to piss off Cox and to cash in on its cult classic after all. Cox’s raised middle finger, Repo Chick, is in this case the better of the two insults. However, as the “chick” is no “man” and because it was filmed on a micro budget, lots of people didn’t like it.
To save money on locations, Repo Chick was shot entirely on green screens with the backdrops added on later. This rarely produces a natural setting, but that’s not something Cox was aiming for. In fact, he exaggerates this by adding even less natural additions to the backgrounds, thereby dipping his movie into a surreal and cartoonish setting. In case the main character’s name, our chick, wasn’t obvious enough, we’ll tell you that Pixxi De La Chasse (Jaclyn Jonet) is a clear pastiche of a Paris Hilton-type socialite. At the time, this was said to be too much of a fashion fad that wouldn’t last another year, but flash forward nearly ten years and even now blogs and papers are bursting with any sort of gossip about the TOWIEs, Kardashians and/or Big Brother contestants whose skirts split live on air while twerking. Paradoxically, in this fake atmosphere with unreal backdrops and cartoonish characters, it’s Pixxi (whose car is towed away when daddy cancels her credit card and who then finds a job repossessing cars) who looks the most genuine character. Which means Cox isn’t just poking fun at the uberrich chicks who couldn’t be more estranged from reality, but also at those who think all socialite chicks are airheads. Which at the time pissed off even more viewers. Tonight BBC2 will air Repo Chick once again, the third showing already (the fourth if you count the time it was shown on BBC1) and to be honest, it’s not the sort of movie one would expect to get four showings. (We’re quickly adding we’re more than happy to be proven wrong in this case.) If you’re up late at night, have a watch. Unless you don’t like fake backgrounds. Or Pixxis and Parises. Or a movie which doesn’t poke as much fun at Pixxis as one would expect. Or movies surreal enough to feature socialites as well as terrorists and doesn’t seem to make sense when you’re telling the plot to someone (noticed we haven’t really tried?). Or movies where the director has a cameo as a deranged scientist. All of these things make Repo Chick even more different. But different doesn’t equal less interesting.
(BBC2 airs Repo Chick tonight at 12.55am local time.)